Third: Tim Allen was replaced as the voice of Buzz Lightyear by Chris Evans, and fans are furious.
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That said, the whole thing lasts a second and you could easily miss it, and if the movie were fantastic, a lot of people would roll their eyes and move on. So anyone who says Disney isn’t propagandizing in the culture war is either disingenuous or stupid. The lesbian couple in Lightyear is so totally extraneous to the plot that the detail could only have been made a part of the movie to make a political or ideological point in a movie that is really (unlike Soul ) aimed at kids. Second: It’s because Disney-Pixar’s fixation on jamming gay content into its fare led to a same-sex couple kissing on screen in Lightyear, which cost it a conservative audience.
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Given the questionable quality of most of the product, the fact that Disney Plus had been incepted in time to exploit Pixar’s popularity by presenting its goods like they were a special gift to wise subscribers was the best thing that could have happened to Lasseter’s former fiefdom. Lasseter was sidelined in November 2017, and the creative collapse at Pixar we’ve been experiencing ever since is almost certainly one result. It seems clear from this weird record that the creative chickens came home to roost at Pixar in the wake of Disney’s 2018 canning of Pixar’s guiding genius John Lasseter, in what may have been the most deranged firing of the #MeToo era (an internal investigation revealed that not a single person under his employ had ever even filed a sexual assault, harassment, or propositioning complaint against him). And Turning Red, about a girl who turns into a rage monster due to her menarche, was, notwithstanding its 93 percent fresh rating on Rotten Tomatoes, one of the most sheerly dislikable films of the past 20 years. Luca, about a boy mermaid in 1950s Italy, was so wan and undercooked it’s surprising they didn’t kill it off after the first draft (Pixar movies are rare in Hollywood because they go through drafts almost in the same way novels do). Even the best of Pixar’s pandemic releases, the beautiful Soul, was simply too downbeat and melancholy-it’s about a midlife crisis and what it means to be or feel like you are a career failure. Disney Plus has been a salvation for Pixar these past two years because the movies it’s made since 2019 would likely have done badly at the box office regardless. This is ridiculous, and I’ll tell you why. Let’s go through all the explanations and discredit each of them one by one.įirst: It’s because all of Pixar’s movies since the pandemic began moved to the Disney Plus streaming service and therefore the Pixar audience has been trained to stop paying for its fare. You’re going to read a lot about why that happened. Lightyear opened on Friday and performed disappointingly. You can almost hear how a silence must have descended on the meeting in which this notion was first proposed, a silence only ended when someone very high up shouted: "Brilliant!" And thus was born Lightyear. Well, something almost exactly like this happened to the people at Pixar and Disney a few years ago when they looked at their IP and had the blinding flash that they could build a new animated action franchise based on an iconic character from the very first Pixar film: Toy Story ’s Buzz Lightyear.
Watch as a young Frank Drebin breaks up a drug ring as he learns he has to rely on his partners and not go it alone! Yeah… nah. And it comes to you: You could redo The Naked Gun, only… serious! You discover that you possess the rights to the farcical Naked Gun series. So say you’re a movie studio executive desperately looking through your backlog of titles for some "intellectual property" you already own that you can exploit.